Ibanez

The Ibanez AW7 from the Tone-Lok series isn't just any autowah. First, a Cry Baby-style wah with both low and high frequencies cut. Second, an LPF-style wah with only high frequencies cut. The Ibanez AW7 guitar effects pedal also works as a notch filter with the Sens at 0, similar to having a wah turned on but not "rocked." Built-in distortion circuit can be switched to either pre or post wah.

Transform your guitar's sound into a nostalgic journey with the Ibanez Tone-Lok LF7 Lo-Fi Filter pedal. Crafted for musicians who crave that distinct retro vibe, this pedal is your ticket to emulating the unique audio characteristics of vintage radios and classic microphones. Its versatility is anchored by three distinct modes, allowing you to explore a wide range of sonic textures—from gritty, overdriven tones to soft, muted whispers. The intuitive control layout includes Drive, Lo-cut, Hi-cut, and Level knobs, giving you precise control over your soundscape.

The BIGMINI is a compact chromatic tuner pedal that features two different modes: needle and strobe. The tuning range is from A0 (27.5 Hz) to C8 (4186 Hz), which allows for accurate detection of the low B on a 5 string bass. The pedal has adjustable calibration from 435Hz to 445Hz and features a flat mode for additional tuning flexibility. A true bypass switch provides the shortest, most direct signal path for the cleanest possible sound, while the bright LED display is clear and easy-to-read on even the darkest stages.

Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ""Wide Range"" setting (Turing Bass and Treble all the way up) the guitar tone will become broader, with more volume and presence across the entire frequency range, and the ""Mid Boost"" setting is ideal for cutting though a band mix. All of the design, development, production, and quality control for the BTMINI has been done in Japan. The BTMINI also features a Japanese-made JRC MUSES 8820, a high-quality op-amp used in amplifiers that delivers tonal brightness, even while the amp is pushed into overdrive. A true bypass switch provides the shortest, most direct signal path, as well as the cleanest possible sound. The BTMINI offers increased tonal flexibility, enhancing creative possibilities, while occupying minimal space on your pedalboard!

Part of the MINI pedal family, the Flanger MINI is modeled after a vintage flanger sound and delivers pro-quality tones in a convenient, compact box. Made in Japan, the FLMINI features a three-knob controls layout consisting of Depth, Regen, and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural-sounding tones and affords players a classic, warm, and full-sounding flanger that won't take up excess space on your pedalboard!

Ibanez is proud to announce a new addition to the MINI pedal lineup. The Phaser MINI is made in Japan and features three controls; DEPTH, FEEDBACK and SPEED. Through these controls, the Phaser MINI offers a variety of sounds ranging from subtle texture to deep saturation. Moreover, it is designed to retain a clarity of dry signal even when set to the highest effect intensity. It also features switchable STAGE mode, 4 or 6. 4-STAGE mode delivers traditional Phaser tones, typically used in classic rock. 6-STAGE mode provides more intense and dramatic effect. The PHMINI also features 100% pure analog circuitry and a true bypass switch. The PHMINI delivers a multitude of analog Phaser features, while occupying minimal space on your pedalboard!

Part of the MINI pedal family, the Made in Japan TRMINI Tremolo features a three-knob configuration; Wave, Speed, and Depth. It also features a Level trim pot which enables boosting the overall affected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic, warm, and full-sounding tremolo pedal that’s also economical on pedalboard space!

Part of the MINI pedal family, the Made in Japan SMMINI Super Metal still preserves the five-knob control layout of its bigger brother, the SM9. These five knobs offer almost unlimited tonal possibilities. The knob configuration features 2 stacked knobs (Edge/Punch and Attack/Level) and a significantly larger Drive knob. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly lush distortion and harmonics. The SMMINI is a huge sounding distortion pedal, that comes in a small, space-saving package!

The mini-pedal market has been booming the past few several years, so we felt the time was right to issue some of our most legendary pedals in new mini housings! Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms.

The Pentatone Equalizer is a standalone version of the 5-band equalizer section in the Ibanez Pentatone Preamp. Adding a continuously variable Q control on each band, which allows for a wider variety of sound creation, enables even more detailed sound creation. Furthermore, the ±9V power supply circuitry provides a wide headroom.

The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same housing, same instantly identifiable green paint, and the same crankin' overdrive that makes it one of the all-time classics in guitar effects. So, plug it in, crank it up, and you'll hear what all the fuss is about.

Ibanez CS9 Reissued Stereo Chorus Pedal

Unleash your inner sonic architect with the Ibanez FL-9 Flanger, a pedal that embodies the essence of vintage modulation with a modern twist. Designed for both seasoned professionals and aspiring guitarists, this pedal is a staple in crafting rich, swirling soundscapes. The FL-9 is renowned for its ability to deliver everything from subtle, textural enhancements to intense, jet-like sweeps. Its intuitive layout, featuring four dedicated knobs, allows you to sculpt your sound with precision.

The TS9B is equipped with controls that allow bassists to preserve the low-end frequencies they need, while still maintaining the feel and tone of the original Tube Screamer. Experimenting with the mix and tone controls allows for a limitless number of sounds and textures. Players can go from just "a little bit of grit" to "full-on" overdrive and everything in-between.

The Ibanez TS9DX Turbo Tube Screamer features the same circuitry as a TS9, with the addition of three new settings for increased low end crunch: +, Hot, and Turbo. These three additional settings paired with the original TS9 mode, afford players a flexible array of sounds that make the TS9DX one of the most versatile Tube Screamers in the whole lineup.

WH10 series has remained a highly popular wah pedal through the years due to its many unique features. The guitar/bass range switch enables switching between two preset frequency ranges best suited for each instrument. This is also the first wah pedal to utilize a multiple feedback opamp circuit, creating a much different tonal quality versus more common inductor based wahs. There is also a volume boost for additional flexibility. The WH10V3 features selectable true or buffered bypass, and circuitry is housed in a highly-durable, die-cast Aluminum alloy body with a distinctive black finish.

The OD9 uses the OD-850 pcb and most of the enclosures are repainted TS9 and SD9 cases, hence it's literally built of leftovers. Produced in extremely small quantities, never found its way to the official Ibanez catalogs. Rumor has it that all OD9 were built for the French market only. The fact that the owner's manual isn't trillingual (English, German, French) as the rest of the 9-series manuals but French only, does attest that.