With the Xvive V10 Amp Litone, you can boost your guitar signal by up to 20 dB! This stomp box's ingenious design enables you to increase low frequencies using the tone control without losing any high in the process, and vice versa. If you go for the middle position, you get a tight sound without too much midrange. By flipping the tone toggle switch, you can select either a completely clean boost or the use of the tone circuit. The V10 Amp Litone is ideal if you want to try a whole new sound or if you want to increase the volume level so your solos can really cut through the mix. Let yourself be heard with the Xvive V10 Amp Litone!
The Tone Shaper from budget guitar effects pedal maker Xvive is a two-band EQ stack in micro pedal form. Each of its two multi-pole sharp cutoff filters can provide up to 6dB of gain and works equally well with a with bass or guitar. It’s easy to use, too, with Lows and Highs micro pots as well as a Level knob for controlling the overall volume. Plug in, tweak, and play—it’s as simple as that.
The Tone Shaper from budget guitar effects pedal maker Xvive is a two-band EQ stack in micro pedal form. Each of its two multi-pole sharp cutoff filters can provide up to 6dB of gain and works equally well with a with bass or guitar. It’s easy to use, too, with Lows and Highs micro pots as well as a Level knob for controlling the overall volume. Plug in, tweak, and play—it’s as simple as that.
Xvive DynaRock is a open dynamic and warm pedal which comes to close to the natural tone of tube amplifiers.Ultra high gain and great tone are two phrases not often used to describe a single unit. Xvive DynaRock pummels that preconception into the ground.Distortion is different, taking more efforts to get it screaming, but still sounding harmonically rich.
Xvive DynaRock is a open dynamic and warm pedal which comes to close to the natural tone of tube amplifiers.Ultra high gain and great tone are two phrases not often used to describe a single unit. Xvive DynaRock pummels that preconception into the ground.Distortion is different, taking more efforts to get it screaming, but still sounding harmonically rich.
O2 Sweet LEO was designed by Thomas Blug, a famous German musician, guitarist, composer and musical electronic engineer. It has fat and powerful character and the Growl knob controls the blend of effects, even with full drive you could hear original tone. O2 has tight lows and pulsing clarity even at high gain settings. The tone range is broad and also preserves the lows that ensures your rhythm doesn't drop out and get lost in mix.
It is widely known that there is great strength in numbers. The ULTRA OCTAVER UO300 underpins your sound with added muscle, generating notes one and two octaves below what you play. The result is powerful, with the deep, rich impact that is only possible when guitar and bass lines are joined at the hip. Wanna play bass lines with your guitar? Wanna play synth-like lines with the addition of some fuzz with your guitar or bass? The stunning UO300 will make your tonal dreams come to life.
Hartke's HF44 Bass Fuzz Pedal features all-analog circuitry for the fat, punchy distortion heard in classic stompboxes. Its FET design delivers the high-voltage saturated sound of a tube, while Mid and Tone controls dial in the harmonic character and high-frequency edge needed to drive all your aggressive riffs.
The Tone Shaper from budget guitar effects pedal maker Xvive is a two-band EQ stack in micro pedal form. Each of its two multi-pole sharp cutoff filters can provide up to 6dB of gain and works equally well with a with bass or guitar. It’s easy to use, too, with Lows and Highs micro pots as well as a Level knob for controlling the overall volume. Plug in, tweak, and play—it’s as simple as that.
XVIVE’s V3 metal guitar effects pedal offers heavy saturation distortion with a range from dark chugging riffage to all-out shred soloing. It’s a simple, easy-to-use level, tone, and gain controls let you carve out tight bass, scooped mids, and cutting highs with excellent dynamic response.
With the Xvive V10 Amp Litone, you can boost your guitar signal by up to 20 dB! This stomp box's ingenious design enables you to increase low frequencies using the tone control without losing any high in the process, and vice versa. If you go for the middle position, you get a tight sound without too much midrange. By flipping the tone toggle switch, you can select either a completely clean boost or the use of the tone circuit. The V10 Amp Litone is ideal if you want to try a whole new sound or if you want to increase the volume level so your solos can really cut through the mix. Let yourself be heard with the Xvive V10 Amp Litone!
The PEPBOOST Pocket Booster Effect Pedal for Guitar from Palmer is for guitar players wanting to add more gain and versatility to their sound. It can be used to increase the volume of an anemic amp, or slam the front end for more overdrive. Built with one 1/4" input and one 1/4" output jack, the PEPBOOST generates saturation and compression when used before dirt boxes. When placed at the end of an effects chain, it provides a lead level boost. It works on a 9V battery or an optional power adapter.
The Lemon Squeezer all analog compressor from budget guitar effects pedal maker Xvive delivers low distortion compression with excellent tonal quality and enhanced sustains. Long story short, it makes your clean tone sound even better than ever and your single notes ring out longer. A simple control structure consisting of Volume, Threshold, and Compression Blend pots make dialing in your personal compression settings easy peasy lemon squeezy. Its small size makes it ideal for crowded and go-bag style pedalboards, but that also means you need a compatible DC power supply to get this pedal going.
Smart direct input box with ultra low distortion, it quietly transfers the sound of guitar or bass directly to the audio system. Balanced/unbalanced output, gain switch, cabinet simulator and ground lift function included. Full metal shell, Very small and exquisite.
The Xvive V11 Noisegate Mini Guitar Effects Pedal is a compact noise suppressor pedal that offers an excellent dynamic response and is capable of integrating into any pedalboard setup.
Singing Auto-wah is a double peak envelope swept filter that can be used with either a bass or a 6-string guitar. Singing Auto-wah kicks it up a notch with a “Staccato” function that is ideal for fast picking, funk bass and tight rhythm guitar. The FAST and SLOW settings of the toggle switch determine the initial filter upsweep time when a note or chord is played.
The Regenerator is a chorus, a flanger and a phaser all in one sturdy metal stomp box. A stereo modulation pedal, the Regenerator features a diverse range of six different modes for you to explore, sure in the knowledge that the tone-preserving passive bypass is just a footswitch away. From the sweeping detuned tones of the vintage chorus to a phaser that swells with energy, listen as the Regenerator entwines itself around your sound. With full control over the speed, depth and regeneration, it’s every modulation pedal you’ll ever need.
The MOOER Leveline provides comfortable operation, smooth transition with no loss of tone and a very convenient size for squeezing into tight spots on your pedalboard and easy transportation.
The FC05 Modulation Micro pedal features a whopping 11 classic modulation effects that cover the full spectrum of classic tones. These effects include such pedalboard staples as the Chorus, Flanger, and Auto Wah with more niche effects like the Stutter, Ring modulator, and Low Bit effect. The FC05 is housed in a durable metal shell with one of the smallest footprints on the market that makes it easily fit on any pedalboard.
With just three controls, (Gain, Volume and Tone) the Big Ben Overdrive offered the simplest panel layout of all the CoolTron pedals. The Gain control adjusted the overall gain of the pedal from bluesy and mellow to fat and saturated. The Tone control altered treble response while the Volume control regulated the total output of the overdriven signal. The Effect foot switch also included a true bypass. The Big Ben Overdrive was introduced in 2005.
Fender's ABY footswitch with passive switcher allows you to plug a single guitar into two amplifiers or plug two guitars into a single amplifier, making it easy and convenient to create a rig with eminent flexibility and a variety of tone options.
Transform your guitar's sound into a nostalgic journey with the Ibanez Tone-Lok LF7 Lo-Fi Filter pedal. Crafted for musicians who crave that distinct retro vibe, this pedal is your ticket to emulating the unique audio characteristics of vintage radios and classic microphones. Its versatility is anchored by three distinct modes, allowing you to explore a wide range of sonic textures—from gritty, overdriven tones to soft, muted whispers. The intuitive control layout includes Drive, Lo-cut, Hi-cut, and Level knobs, giving you precise control over your soundscape.
The Ibanez AW7 from the Tone-Lok series isn't just any autowah. First, a Cry Baby-style wah with both low and high frequencies cut. Second, an LPF-style wah with only high frequencies cut. The Ibanez AW7 guitar effects pedal also works as a notch filter with the Sens at 0, similar to having a wah turned on but not "rocked." Built-in distortion circuit can be switched to either pre or post wah.
The Reaction HUSH, when used properly, will wipe out hiss, unwanted feedback and pickup buzz. The Reaction HUSH pedal delivers 65dB of signal cleanup, while your music signal integrity remains unaffected. In other words, get rid of the noise without altering your tone!
The SUPERCHARGER is a overdrive that defines the player's signature sound. The Reaction Super Charger reacts to your playing nuances while adding just enough warmth without being brash, all the while sporting an extra dose of gain just in case it is needed. Take your sound to new places and add the Reaction Super Charger overdrive to your setup.
The BIGMINI is a compact chromatic tuner pedal that features two different modes: needle and strobe. The tuning range is from A0 (27.5 Hz) to C8 (4186 Hz), which allows for accurate detection of the low B on a 5 string bass. The pedal has adjustable calibration from 435Hz to 445Hz and features a flat mode for additional tuning flexibility. A true bypass switch provides the shortest, most direct signal path for the cleanest possible sound, while the bright LED display is clear and easy-to-read on even the darkest stages.
Part of their professional W series of pedals, the Xvive W1 Wave Phaser was designed in the USA by a very experienced design team consisting of Howard Davis, Darius Mostowfi and Ray Heasman and is built in Shenzhen China. The unit measures 4.75″ L x 4″ W x 2″ H, including the knobs and switch.
The Fuzz Overdrive from Xvive delivers a tube-style drive that goes from subtle dirt to a screaming, highly compressed edge of breakup tube amp sound. It packs an insanely long sustain fuzz while giving you plenty of iron fisted tonal control. The Fuzz Overdrive also features impressively enhanced picking dynamics that you don’t usually hear in normally compressed fuzz and drive boxes. You can mix and match the Fuzz Overdrive’s effects any way you want.
Drive your tone into satisfying and natural-sounding overdrive with the Fender Drive Pedal. Its harmonically rich distortion is ideal for a wide variety of traditional and contemporary gritty rock and blues guitar sounds, and it works great with both tube and solid-state amps.
The Fender Chorus Pedal delivers an entire spectrum of doubling effects ranging from the subtle to the thick, swirling and rich to transform your guitar sound. Quiet operation in either mono or stereo enlivens and enhances anything you play, from the most delicate phrases to the most powerful passages.
Rock your amp and your guitar tone with the Fender Distortion Pedal, which delivers enormously satisfying distortion and sustain from subtle boost to scorching full-on crunch. Responds ideally to your guitar's volume control and works great with a wide variety of amplifiers.
The Mooer Reecho Pro Delay is a full-featured version of the original Reecho. The Reecho Pro retains the original's high-quality delays and adds many more options. There are six delay types: Digital, Analog, Real, Tape, Tube, and Galaxy, each with its own subtle characteristics. There are also effects you can add to the delay, such as modulation, dynamics, and reverse. Tap Tempo, stereo Ping Pong, EQ controls, and a Trail switch (which controls whether the delay continues after the pedal is deactivated) add a huge amount of tweakability. There's also a function to save and recall a favorite delay sound.
The BOSS AW-3 Dynamic Wah pedal gives guitarists a wide range of classic auto-wah and dynamic wah effects, plus a new "Humanizer" effect which can simulate human vowel sounds. A Bass input provides a variety of funky wah sounds for bass-guitar.
The MOOER Leveline provides comfortable operation, smooth transition with no loss of tone and a very convenient size for squeezing into tight spots on your pedalboard and easy transportation.
MICRO LOOPER inherits the MINI size of MICRO SERIES. Record, playback, stop, overdub and delete, all these functions can be controlled by one single footswitch. This gives you an easy and direct operation experience. MICRO LOOPER has up to 30 minutes of recording time and unlimited overdubbing times. You can focus on your music and need not to worry about other troubles.
Ibanez is proud to announce a new addition to the MINI pedal lineup. The BTMINI booster features three controls; BASS, TREBLE and LEVEL. Unlike a single knob booster, the BASS and TREBLE EQ enables significant tonal flexibility. For example, while set to the ""Wide Range"" setting (Turing Bass and Treble all the way up) the guitar tone will become broader, with more volume and presence across the entire frequency range, and the ""Mid Boost"" setting is ideal for cutting though a band mix. All of the design, development, production, and quality control for the BTMINI has been done in Japan. The BTMINI also features a Japanese-made JRC MUSES 8820, a high-quality op-amp used in amplifiers that delivers tonal brightness, even while the amp is pushed into overdrive. A true bypass switch provides the shortest, most direct signal path, as well as the cleanest possible sound. The BTMINI offers increased tonal flexibility, enhancing creative possibilities, while occupying minimal space on your pedalboard!
The NYC original. Hendrix and Santana were among the first to get a piece of the Pi, and for over 40 years the EHX Big Muff Pi has been defining the sound of rock guitar.
The Blackstar LT-DRIVE Pedal is designed to deliver a wide range of gain, from subtle warm boosts to intense lead saturation. Equipped with a patent-applied-for clipping circuit, it replicates the valve-like tone and compression Blackstar is known for. This compact, rugged pedal fits perfectly on any pedalboard and operates on a 9V battery for added convenience. Its simple layout of Gain, Level, and Tone controls makes it easy to achieve the desired sound for any playing style, making it a versatile tool for both practice and live performances.
The Blackstar LT-METAL Pedal is designed for modern guitarists seeking aggressive high-gain tones. With its patented ISF circuit and clipping technology, it delivers versatile tone shaping from scooped US high gain to classic British heavy metal. The pedal's compact, rugged design and 9V battery power make it ideal for both practice and live performances.
The Blackstar LT-DIST Pedal offers versatile overdrive and distortion with Blackstar’s patented ISF circuit. Compact and rugged, it features Gain, Level, and Tone controls for precise sound shaping. Ideal for pedalboards and powered by a 9V battery, it delivers classic and modern tones reliably.
Micro drummer is a compact drum machine that slots right into your pedal chain. Sporting 121 drumbeats which span a wide variety of different musical styles and can be synced up to your desired time easily using the on boad tap tempo. Never miss a beat with MOOER micro DRUMMER!!!
The MD-2 Mega distortion takes the bottom-heavy distortion sounds heard in today's new-school metal and pushes it to the extreme. The secret is a special dual-stage distortion circuit with an added gain boost-plus new Bottom and Tone controls--for crushing distortion with massive low end. Take your distortion into the future with the MD-2.
Part of the MINI pedal family, the Flanger MINI is modeled after a vintage flanger sound and delivers pro-quality tones in a convenient, compact box. Made in Japan, the FLMINI features a three-knob controls layout consisting of Depth, Regen, and Speed. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural-sounding tones and affords players a classic, warm, and full-sounding flanger that won't take up excess space on your pedalboard!
Part of the MINI pedal family, the Made in Japan TRMINI Tremolo features a three-knob configuration; Wave, Speed, and Depth. It also features a Level trim pot which enables boosting the overall affected sound. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly natural tremolo tones. The TRMINI is a classic, warm, and full-sounding tremolo pedal that’s also economical on pedalboard space!
Ibanez is proud to announce a new addition to the MINI pedal lineup. The Phaser MINI is made in Japan and features three controls; DEPTH, FEEDBACK and SPEED. Through these controls, the Phaser MINI offers a variety of sounds ranging from subtle texture to deep saturation. Moreover, it is designed to retain a clarity of dry signal even when set to the highest effect intensity. It also features switchable STAGE mode, 4 or 6. 4-STAGE mode delivers traditional Phaser tones, typically used in classic rock. 6-STAGE mode provides more intense and dramatic effect. The PHMINI also features 100% pure analog circuitry and a true bypass switch. The PHMINI delivers a multitude of analog Phaser features, while occupying minimal space on your pedalboard!
The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.
Able to complement a single note with one or two voice accompaniments with controls for setting the effect up to one octave up or down,the Boss HR-2 Harmonist allows the player to set a song's key and play away. Excellent at creating a full, lush sound, this effect works equally well for the solo performer or a lone guitar in a full band setup.
BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isn’t always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.
The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.
This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.
The high-impedance FV-50H is designed to be connected before guitar effect units in the signal chain. The low-impedance FV-50L is a stereo volume pedal that can be used for a wide variety of purposes including keyboards.
The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.
The Dreamstar Chorus provides two independent voice sections with separate LFO modulators for unprecedented options. Each voice has controls for rate, depth, and effect output level. Pure analog, the Dreamstar Chorus uses a classic bucket-brigade delay for warm analog sound and the smoothest response possible. True bypass.
Part of the Rocktron Boutique Series of stomp boxes this pedal design comes in a rugged metal chassis with eye popping retro custom design laser etched artwork. This is a TRUE BYPASS pedal: when you turn it off…it is out of your signal path!
Now you can achieve noise exterminating bliss with Rocktron’s incredible new Guitar Silencer stomp box that combines HUSH noise reduction technology with a noise gating process. This combination of two means to achieve noise elimination provides one outrageous noise killing device!
Based on the Marshall Plexi 50 - A faithful recreation of a 1967 50 Watt British classic. MOOER sampled an excellent example of this amplifier from the personal collection of Tracii Guns in 2017. Synonymous with 70’s classic rock, this MICRO PREAMP goes from crisp, glistening cleans with lots of detail on the blue channel, to classic overdrive with biting mids and just the right amount of low end sag to relive that fully cranked experience of years gone by.
Part of the MINI pedal family, the Made in Japan SMMINI Super Metal still preserves the five-knob control layout of its bigger brother, the SM9. These five knobs offer almost unlimited tonal possibilities. The knob configuration features 2 stacked knobs (Edge/Punch and Attack/Level) and a significantly larger Drive knob. A true bypass switch provides the shortest, most direct signal path as well as the cleanest tone. The 100% analog circuitry offers amazingly lush distortion and harmonics. The SMMINI is a huge sounding distortion pedal, that comes in a small, space-saving package!
The Maestro Arcas Compressor Sustainer pedal provides excellent versatility. It offers both transparent, light compression as well as heavy, tight compression. It delivers enough sustain and level compensation to become a go-to workhorse for any situation. This all-analog pedal boasts a two-position Mode toggle switch for increased sonic versatility. The LO mode is less sensitive to pick attack, while the HI mode is more sensitive to pick attack. The intuitive 3-knob control layout lets users quickly dial up the desired Sustain (amount of gain applied during compression), control the Attack (how fast the compression engages), and adjust the amount of gain compensation and the pedal’s overall output volume with the Level control. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Agena Envelope Filter pedal is designed for ease of use and is tailored for optimized dynamic control. The Agena offers two distinct filter frequency options for a wide range of tonal possibilities. Musical and inspiring, it will surely bring on the funk. This all-analog pedal boasts a two-position Mode toggle switch for increased sonic versatility. The LO mode setting focuses the filter in a lower frequency range, while the HI mode emphasizes a higher range of frequencies. The intuitive 3-knob control layout lets users quickly set the desired Sense (the envelope’s sensitivity and response to your picking attack), control the Attack (how fast the filter increases or opens up), and adjust the Decay and how long the filter stays in the open position. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Comet Chorus pedal uses iconic analog bucket brigade device (BBD) technology to deliver warm, classic chorus tones. This all-analog pedal boasts a Mode toggle switch for increased sonic versatility. The Earth mode provides an optimized, shimmering chorus effect. The Orbit mode adds some amplitude modulation to the chorused sound to more accurately simulate the sonic complexities of a rotary speaker. An internal trim pot lets you adjust the level of the rotary speaker Orbit effect to taste. The intuitive 3-knob control layout lets users quickly dial up the Depth (amount of pitch variation), Speed (modulation rate) of the chorusing, and adjust the amount of pitch modulated signal that is blended in with the dry signal by using the Mix control. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Discoverer Delay is a modern analog delay pedal that proudly utilizes legendary analog bucket brigade device (BBD) technology to deliver classic, warm, and inviting delay sounds. The intuitive 3-knob control layout lets users quickly dial up the length of the Delay time (with a range from 20 ms to 600 ms), the amount of Sustain (delay repeats), and adjust the level of the delays in the Mix. A toggle switch engages built-in modulation that applies anything from a slightly saturated, tape-like wow and flutter effect to a heavily pitch-shifted modulation effect to the delayed signal. Two internal trim pots allow the user to adjust the Rate (speed) and Width (sweep range) of the modulation. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
Maestro created the world’s first fuzz pedal – the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965’s (I Can’t Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Invader Distortion is a high-gain, all-analog modern distortion pedal with a heavy, aggressive, dominant sonic character and loads of rich harmonics. With the Maestro Invader Distortion, users can generate a wide range of distorted sounds. The 3-knob control layout gives users intuitive control over Gain (distortion amount), Tone, and output Level, with more than enough volume on tap to easily exceed unity gain when you want to. Users can also engage a built-in noise gate with the top panel toggle switch. An internal trim pot mounted on the circuit board inside the pedal allows the user to adjust the level of the noise gate's Threshold. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Mariner Tremolo offers two amp-like tremolo options for “two pedals in one” functionality and increased sonic versatility. In Classic mode, you can swing from subtle, smooth amplitude modulation all the way to a sharper-edged, biting modulation, with many creative areas to explore in-between. In Harmonic mode, you can dial up timeless textural Harmonic Tremolo tones that are very reminiscent of the tones produced by a select few vintage amplifier tremolos. With its amp-like tones and ability to vary the tremolo’s wave shape, the Mariner Tremolo delivers a wide range of inspiring possibilities. The intuitive 3-knob control layout lets users quickly set the desired Depth (the intensity of the tremolo effect), control the Shape of the waveform (from a triangle wave to a square wave), and adjust the Speed of the tremolo effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Orbit Phaser is a descendent of the very first phaser pedal ever produced - the legendary Maestro PS-1. This classic effect has been re-engineered and tailored to the needs of today’s players. The Maestro Orbit Phaser is designed to optimize all the character and vibe you expect from an all-analog phaser. Warm and smooth, the Maestro Orbit Phaser offers all the versatility needed to dial in the tastiest of phaser effects. Its two-position Mode switch gives you a choice of 4 or 6-stage phasing. The intuitive 3-knob control layout lets you quickly set the desired Width (the intensity of the phaser effect), Feedback (emphasizing the amount of vocal phase effect), and adjust the Rate (speed) of the phasing effect. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
Inspired by the overdriven tones of some of the world’s most cherished vintage tube amps, the Ranger is a modern, all-analog overdrive pedal featuring a Mode toggle switch that provides two different tonalities; a warm, expressive, amp-like overdrive and a second tonality that’s slightly cleaner and exceptionally touch-sensitive; it blends in some of the clean signal and is a great choice for use as an “always on” effect that can be controlled with your pick attack and your guitar’s volume control. The Ranger’s classic 3-knob layout provides intuitive adjustment of Gain (amount of overdrive), Tone, and output Level, with plenty of volume on tap to go well beyond unity gain. You can easily use the Ranger Overdrive as a boost to hit the input of your tube amp harder for even more grit and dirt. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
The Maestro Titan Boost provides over 25 dB of clean boost, so it can easily drive any tube amp into natural overdrive. Even better, it’s designed to be the ultimate tone-sculpting boost. Equipped with a classic Tone control and a variable HI-Pass filter, any high-frequency shrillness can be easily dialed out, and low-end muddiness can be well tamed. The Titan Boost creates the perfect boosted tone, regardless of guitar, pickups, or pickup switch position. The intuitive 3-knob control layout lets you quickly set the desired Tone (which functions as a traditional tone control/variable low-pass filter), HPF (variable high-pass filter), and adjust the Level of the output volume and boost. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when it’s on, so you’ll always know when the effect is active.
JCM 900 Amp Simulator - Based on one of the very staples of “in-house amplification” at venues and studios all over the world, this preamp sports the characteristic mid bite that shaped the sound of modern rock music as we know it.
The mini-pedal market has been booming the past few several years, so we felt the time was right to issue some of our most legendary pedals in new mini housings! Made in Japan, the ADMINI features two smaller knobs for Repeat and Blend, and a significantly larger Delay time knob in the middle. The range of delay time is 20ms to 600ms.
The Blackstar LT-DUAL Pedal provides exceptional distortion flexibility with two channels, each equipped with Gain and Level controls. It features Blackstar’s patented ISF circuit and a clipping circuit for valve-like tone. Ideal for transforming a single-channel amp into a versatile tone machine, it combines compact size with rugged construction for reliable performance.
Recreating the classic sounds of a spring reverb unit, the Palmer Vintage Reverb provides extensive control. Decay lets you dial in reverb length from a subtle bounce to cavernous tails, a tone selector adds natural warmth or splashy brightness, and mix blends in the effect with the dry signal. The compact pedal features a heavy-duty footswitch and runs on a 9V battery or optional power adapter, e.g. Palmer PW9V.
The TL-2 HardWire Metal Distortion Stompbox Pedal from DigiTech has loose and tight modes ideal for when you need high gain amp tones. The TL-2 uses True Bypass mode for tone preservation when not in use. HardWire pedals also run at a higher, constant voltage to preserve your tone. The TL-2 is constructed from premium-all metal parts meant to withstand the most rigorous touring environments. Each pedal includes custom-cut velcro pads and a foot switch glow sticker.
Introducing the MXR M-151 Doubleshot Distortion Pedal - the ultimate companion for guitarists seeking versatility and precision. This pedal is renowned for its dual channel design, providing double the tone options at your disposal. It's not just about quantity, but quality as well. The Doubleshot Distortion delivers an array of high-fidelity tones, from a mellow bluesy warmth to a high-octane metal grind. The inclusion of a Focus button elevates your sound to a blistering high-output mode, ideal for those show-stopping solos.
he Distortion+ delivers everything from cool overdriven blues tones to huge '80s hard rock distortion. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
The MXR Flanger creates a variety of wild sounds from dynamic jet plane or cool space effects to short delay, chorus and vibrato. This pedal can be powered by two 9-volt batteries, a 18-volt adapter or the DC Brick™, Iso-Brick™ and Mini Iso-Brick™ power supplies.
The Pentatone Equalizer is a standalone version of the 5-band equalizer section in the Ibanez Pentatone Preamp. Adding a continuously variable Q control on each band, which allows for a wider variety of sound creation, enables even more detailed sound creation. Furthermore, the ±9V power supply circuitry provides a wide headroom.
The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same housing, same instantly identifiable green paint, and the same crankin' overdrive that makes it one of the all-time classics in guitar effects. So, plug it in, crank it up, and you'll hear what all the fuss is about.
Turbocharged Distortion Perfection
Released in 1987, the DS-2 Turbo Distortion remains a hugely popular BOSS compact pedal and builds on the legacy of the iconic DS-1 Distortion that debuted nearly a decade earlier. Prized for its versatility, the DS-2 features two distinctive distortion modes, Turbo I and Turbo II. Supplying a broad spectrum of tones, this classic stomp has been embraced by everyone from grunge icons to modern rock innovators. Whether you're looking for solid crunch or scorching gain, the DS-2 has you covered.
Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.
The TU-3—the world’s best-selling stage tuner—unites trusted BOSS tuning technology with our iconic compact pedal format. Top performers everywhere rely on this robust stomp for fast and flawless tuning night after night, thanks to its high-visibility meter, simple operation, and road-tested durability. The versatile TU-3 also includes a mute function, tone-saving buffer, and power distribution capabilities, making it an essential utility tool for every player.
The NS-2 Noise Suppressor elevates your stage and studio rig with a cleaner and more polished signal. This essential utility pedal solves the common noise problems encountered with electric guitars and basses while preserving your instrument’s dynamics and character. Sensitive analog circuitry silences noise in a smooth and organic way, eliminating the choppy artifacts produced by conventional noise gates. The innovative send/return loop provides isolated detection for high-gain pedals, ensuring optimum noise reduction throughout your signal chain.
Back by overwhelming demand… in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The EHX Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.
Unleash your inner sonic architect with the Ibanez FL-9 Flanger, a pedal that embodies the essence of vintage modulation with a modern twist. Designed for both seasoned professionals and aspiring guitarists, this pedal is a staple in crafting rich, swirling soundscapes. The FL-9 is renowned for its ability to deliver everything from subtle, textural enhancements to intense, jet-like sweeps. Its intuitive layout, featuring four dedicated knobs, allows you to sculpt your sound with precision.
Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible with standard overdrive and distortion pedals. Nearly three decades on, the BD-2’s articulate voice continues to power the sounds of players in every musical genre, from blues and rock to country, jazz, and beyond.
For 14 years, the famous BOSS FV-300 served as an industry-standard volume pedal. The tradition continued with the FV-50 series, but today the bar has been raised with BOSS’s FV-500H (mono, high-impedance, inst. level) and FV-500L (stereo, low-impedance) pedals. These tank-tough diecast pedals are designed to meet the needs of the most demanding customers. The pedals offer a new stylish design, a road-tough build, and a comfortable, smooth action. Both models also provide an Expression output for use with expression-compatible amps, effects, and even synthesizers.
Capture that big Bogner amp sound in a pedal with the Bogner Ecstasy Red. Designed after the Red channel on the Bogner Ecstasy amp, this pedal delivers all the heavy distortion you could ask for. Sculpt and carve out your perfect tones with four tone-shaping switches that go beyond traditional EQ. Ecstasy Red was designed using discrete Class A circuits like an amplifier - no op-amps or clipping diodes found in this pedal. The tone, response, and vibe of the Ecstasy Red is pure Bogner goodness!
Unleash the ferocity of your guitar tone with the MXR ZW44 Zakk Wylde Overdrive, a pedal crafted to deliver the punch and grit of Zakk Wylde's iconic sound. Designed with precision to meet the high standards of one of rock and metal's most revered guitarists, this overdrive pedal is a must-have for players looking to add a powerful edge to their sound. The classic MXR design ensures durability and reliability on stage or in the studio, while its dynamic range allows for seamless transitions between subtle warmth and aggressive distortion. Whether you're channeling bluesy riffs or heavy metal licks, the MXR ZW44 provides the flexibility and clarity to enhance your musical expression.
COMPRESSORE is a state-of-the-art compression tool that allows you to control gain, threshold, ratio, attack and release. The pedal also true bypass, which means that when the compressor is ‘off’, your signal goes directly from the input jack to the output jack without any degradation of audio quality.
The LS-2 Line Selector pedal represents the easy way to switch settings among several effects devices or amplifiers, or route input and output signals. Two line loops and six looping modes provide a wide variety of applications.
The HardWire DL-8 Delay/Looper is a true delay powerhouse in a single stompbox footprint. Augment your performances with a rich and diverse palette of delays including Reverse, Modulated, Analog, Slapback, Lo Fi, and Tape. Dial in from an impressive delay range (from 15 milliseconds to 8 seconds) or Loop in true stereo for up to 20 seconds. And the built-in Tap Tempo function and Tails on/off switch feature will make the DL-8 at home on any pedalboard. As with all HardWire pedals, the DL-8 is crafted from premium all-metal components to perform night after night, tour after tour.
This compact pedal provides a digital delay effect with outstanding quality equivalent to that of a dedicated rackmount delay unit, all with simple stompbox-style control.
Iconic amp sounds for your pedalboard. The Mystic Edge valve distortion pedal offers the chime and midrange of the VOX AC30 in a compact pedal format, powered by Nutube for warm and responsive amp-like tones.
Iconic amp sounds for your pedalboard. The Cutting Edge valve distortion pedal offers aggressive saturated and precise modern metal tones in a compact pedal format, powered by Nutube for warm and responsive amp-like tones.
Iconic amp sounds for your pedalboard. The Copperhead Drive valve distortion pedal offers the powerful crunch of British full stack amps in a compact pedal format, powered by Nutube for warm and responsive amp-like tones.
Iconic amp sounds for your pedalboard. The Silk Drive valve overdrive pedal offers the dynamic clean and creamy overdrive tones of classic boutique amps in a compact pedal format, powered by Nutube for warm and responsive amp-like tones.
From its first appearance in 1997, the Jekyll & Hyde was the first pedal to combine two separate effects in one pedal. The V2 Series gives the same great tone guitarists have come to love plus an added noise reduction system. Each channel of the Jekyll & Hyde has separate controls, giving you the ability to use them separately, or together. All of this adds up to one of the most versatile distortion/overdrive pedals on the planet!
The TS9B is equipped with controls that allow bassists to preserve the low-end frequencies they need, while still maintaining the feel and tone of the original Tube Screamer. Experimenting with the mix and tone controls allows for a limitless number of sounds and textures. Players can go from just "a little bit of grit" to "full-on" overdrive and everything in-between.
The Ibanez TS9DX Turbo Tube Screamer features the same circuitry as a TS9, with the addition of three new settings for increased low end crunch: +, Hot, and Turbo. These three additional settings paired with the original TS9 mode, afford players a flexible array of sounds that make the TS9DX one of the most versatile Tube Screamers in the whole lineup.
The Meinl Percussion Digital Stomp Box is a hands-free electronic pedal you tap with your foot to create rhythms for accompanying music. Each pedal comes with pre-programmed sound effects that can blend with any style, and the large Meinl button is highly reactive for seamless play. This pedal is great for guitarists, cajon players or multi-instrumentalists. Equipped with high-quality quarter-inch input and output jack to send your signal through any amplifier or PA sound system.
The Meinl Percussion Digital Stomp Box is a hands-free electronic pedal you tap with your foot to create rhythms for accompanying music. Each pedal comes with pre-programmed sound effects that can blend with any style, and the large Meinl button is highly reactive for seamless play. This pedal is great for guitarists, cajon players or multi-instrumentalists. Equipped with high-quality quarter-inch input and output jack to send your signal through any amplifier or PA sound system.
The Meinl Percussion Digital Stomp Box is a hands-free electronic pedal you tap with your foot to create rhythms for accompanying music. Each pedal comes with pre-programmed sound effects that can blend with any style, and the large Meinl button is highly reactive for seamless play. This pedal is great for guitarists, cajon players or multi-instrumentalists. Equipped with high-quality quarter-inch input and output jack to send your signal through any amplifier or PA sound system.
WH10 series has remained a highly popular wah pedal through the years due to its many unique features. The guitar/bass range switch enables switching between two preset frequency ranges best suited for each instrument. This is also the first wah pedal to utilize a multiple feedback opamp circuit, creating a much different tonal quality versus more common inductor based wahs. There is also a volume boost for additional flexibility. The WH10V3 features selectable true or buffered bypass, and circuitry is housed in a highly-durable, die-cast Aluminum alloy body with a distinctive black finish.
The RC-1 Loop Station is our most straightforward and intuitive looper pedal. Its compact form and minimalist layout provide all the essential looper functions—record, playback, overdub, and undo/redo—encouraging instant creativity right out of the box.
The Stereo Chorus delivers lush analog chorus several controls to shape the tone of the effect and preserve low end frequencies. This pedal can be powered by two 9-volt batteries, a 18-volt adapter or the DC Brick™, Iso-Brick™ and Mini Iso-Brick™ power supplies.
The DigiTech Whammy is legendary. Unfortunately, it takes up a lot of pedalboard real estate. The DigiTech Whammy Ricochet pitch shift pedal changes that. Instead of a bulky treadle, you control Whammy Ricochet with its momentary footswitch. And it’s ridiculously easy: customize independent rise and fall time ballistics, hold down the footswitch, and dive-bomb to your heart’s content. Seven selectable pitch intervals and a Range toggle switch provide you with plenty of tone-bending options.
Based on the specs of the original VOX wah from the 1960s, the V847 has faithfully transmitted the legendary sound to the present day. Through careful experimentation, the traditional VOX wah has evolved into the V847-C wah pedal, with a tone that enhances today’s rock music. It delivers a wah sound with great presence that will stand out when playing anything from chords to solos. While carrying on the tradition of VOX wah pedals, the V847-C wah pedal’s numerous customizations make it the perfect modern VOX wah.
Fusing classic BOSS octave tones with the latest tracking technologies, the BOSS OC-5 sets a new standard in octave pedal performance. Vintage mode provides a spot-on recreation of the legendary mono OC-2 from 1982, while Poly mode offers numerous enhancements for extended-range playing. And with the addition of an octave-up feature, a span of three octaves is now available for creative exploration. From fat, low mono sounds to octave-shifted chords and more, the OC-5 delivers the widest range, finest sound quality, and best playability in any octave stomp to date.
Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love
The new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.
BOSS is pleased to offer another “Authentic BOSS” Compact Pedal; the AC-3. How many times have you been onstage or in the studio with your electric guitar, and wished that you’d brought an acoustic along? For musicians who travel light, hauling an extra guitar to the gig isn’t always the most attractive option. BOSS AC-3 to the rescue! This new-generation compact pedal employs COSM modeling technology to transform any electric guitar into a variety of beautiful acoustic guitars.
Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
The RC-3 is powerfully equipped yet conveniently housed in a compact pedal. Enjoy up to three hours of stereo recording time, storage for 99 loops, a “real drums” rhythm guide, and USB 2.0 compatibility all in a small BOSS stompbox.
Designed to emulate the Bogner Uberschall amplifier, Bogner’s Uberschall Distortion pedal delivers the same thundering, high gain tones in one small box.
Bogner Ecstasy Blue Overdrive Guitar Pedal. The Ecstasy amplifier was born in 1992 and decades later Bogner is still hand building each amp, one at a time, right here in Los Angeles, California.
Capture that big Bogner amp sound in a pedal with the Bogner Ecstasy Red. Designed after the Red channel on the Bogner Ecstasy amp, this pedal delivers all the heavy distortion you could ask for. Sculpt and carve out your perfect tones with four tone-shaping switches that go beyond traditional EQ. Ecstasy Red was designed using discrete Class A circuits like an amplifier - no op-amps or clipping diodes found in this pedal. The tone, response, and vibe of the Ecstasy Red is pure Bogner goodness!
The Rotovibe Chorus/Vibrato features Vibrato and Chorus modes and rocker-controlled effect speed to create expressive rotating speaker effects with LED speed indicators. This pedal can be powered by a 9-volt battery, a Dunlop ECB003 9-volt adapter, or the DC Brick™, Iso-Brick™, and Mini Iso-Brick™ power supplies (not included).
Your one-stop shop for bass tone-shaping, the Downtown Express bass multi-effect puts everything you need for killer bass tone right at your feet. All the bass essentials are there - compressor, 3-band EQ and overdrive - each switchable on its own, or you can use the Mute switch to kill the signal for silent tuning. The Direct Output makes it easy to integrate this pedal into any performance situation - stage or studio. We recognize that a truly powerful signal chain needs to be flexible, so we included a switch that lets you reorder the compressor and overdrive circuits to taste.
The OD9 uses the OD-850 pcb and most of the enclosures are repainted TS9 and SD9 cases, hence it's literally built of leftovers. Produced in extremely small quantities, never found its way to the official Ibanez catalogs. Rumor has it that all OD9 were built for the French market only. The fact that the owner's manual isn't trillingual (English, German, French) as the rest of the 9-series manuals but French only, does attest that.
Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay time.
TONEX ONE puts IK’s revolutionary AI Machine Modeling technology on any size pedalboard, enabling you to perform with the world’s most sought-after tones in more ways than ever before. It truly makes unlimited tone accessible to all.
Ultra-compact and powerful, TONEX ONE stores up to 20 hyper-realistic modeled amps, cabs and stomps from a nearly infinite supply, so you can add it anywhere in your rig. You can even load models of your own gear captured with the included TONEX software. Effortlessly fit multiple units on your board for truly limitless tone possibilities.
Now any electric guitar player can have access to nine magically quirky, dark and unique Mellotron® sounds. No more extra devices such as special and cumbersome 13-pin MIDI pickups! In addition to electric guitar, you can trigger the MEL9 with any instrument that produces an electrical output, such as a keyboard or a bass, down to 55 Hz or A1.
MXR® TALK BOX
M222
The Talk Box contains its own amp and speaker driver for modern gigging convenience with Volume, Tone, and Gain controls to fine-tune your sound to taste.
Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
The RC-500 is an essential partner for guitarists, singer/songwriters, multi-instrumentalists, and anyone who wants to take their looping to the next level. Craft real-time compositions with two loop tracks, mic and stereo instrument inputs, rhythms, and inspiring Loop FX, all backed by premium 32-bit audio quality. Store loops in onboard memories, and explore expanded operation with external controls and MIDI. Filled with next-generation Loop Station features, the RC-500 gives serious creators the tools they need to develop new ideas and deliver impactful performances that will leave audiences wanting more.